The amalgam of hybridized narratives and remembered landscapes in the graphic work of Endi Poskovic suggests dichotomies that exist in life, and explores universal themes of cultural displacement, fragmented memory, transformation and revival.
Endi Poskovic was educated in Yugoslavia, Norway, and the United States. He has exhibited extensively representing the USA in the most prestigious international print forums including the Krakow Triennial, La Biennale de Trois-Rivières, Taichung Biennale, Egyptian Triennial, Frechen Triennale, Tallinn Triennial, Xylon Triennale, and Ljubljana Biennale. Comprehensive surveys of Poskovic's prints have been organized by the the Philadelphia Print Center, the Des Moines Art Center, the Bemis Center for Contemporary Art, and Frans Masereel Centrum in Belgium, which traveled to Stad Leuven Academie and Academie voor Beeldende Kunst-Ghent.
He has been awarded fellowships from the Guggenheim Foundation, Rockefeller Foundation-Bellagio Center, Pollock-Krasner, Camargo, MacDowell, Flemish Ministry of Culture, Norwegian Government, New York State Arts Council, Indiana Arts Commission, Kala Art Institute, Art Matters Foundation and many others. His work is in numerous public collections worldwide, including Harvard University Fogg Art Museum, New Orleans Museum of Art, Musée d'Art Contemporain Fernet Branca, France, Royal Antwerp Museum of Fine Arts, and Philadelphia Museum of Art.
Poskovic is Professor at the University of Michigan where he teaches in in the Penny W. Stamps School of Art and Design and Center for Russian, East European and Eurasian Studies|European Union Center.